Maskulinitas dan Relasi yang Termediasi dalam Perfect Strangers
DOI:
https://doi.org/10.22219/satwika.v8i1.32603Keywords:
masculinity, mediated relations, film, sexual identityAbstract
Penelitian ini bertujuan untuk mengkaji performativitas maskulinitas dalam relasi langsung dan termediasi oleh telepon seluler yang disajikan Perfect Stranges (2022). Perfect Strangers (2022) yang bergenre drama komedi, menyajikan hubungan yang termediasi menimbulkan kekaburan dalam identitas gender yang memengaruhi performativitas maskulinitas tokoh laki-laki karena adanya mediasi telepon seluler. Fase gerhana bulan dalam Perfect Strangers (2022) menjadi media film untuk menyampaikan komedi yang memuat permasalahan terkait performativitas maskulinitas. Penelitian ini dianalisis dengan menggunakan naratologi film dengan mengelaborasi gagasan maskulinitas Connell, gagasan performativitas gender Judith Butler, dan gagasan Cerulo & Ruanie terkait relasi yang termediasi. Penelitian akan mengkaji penyajian sinematik hubungan antara performativitas maskulinitas dalam relasi yang termediasi oleh telepon seluler dalam Perfect Strangers (2022) versi Indonesia. Penelitian ini menunjukkan bahwa dalam Perfect Strangers performativitas gender melalui telepon seluler digambarkan menimbulkan kekaburan dalam hubungan fisik atau relasi tatap muka. Performativitas gender yang mengacu pada penampilan dan tindakan berulang dalam hubungan tatap muka berbeda dengan relasi yang termediasi dapat digunakan untuk menutupi jati diri yang sebenarnya termasuk identitas seksual. Individu nonheteronormatif dapat menyembunyikan identitas seksualnya dalam hubungan relasi yang termediasi.
This study aims to examine the performativity of masculinity in direct and mediated relationships by cell phones presented in Perfect Strangers (2022). Perfect Strangers (2022), a comedy-drama genre, presents a mediated relationship that causes blurring in gender identity that affects the masculinity performativity of male characters due to the mediation of cell phones. The lunar eclipse phase in Perfect Strangers (2022) becomes a film medium to convey comedy that contains problems related to masculinity performativity. This research is analyzed using film narratology by elaborating on Connell's idea of masculinity, Judith Butler's idea of gender performativity, and Cerulo & Ruanie's idea of mediated relationships. The research will examine the cinematic presentation of the relationship between masculinity performativity in cell phone-mediated relationships in the Indonesian version of Perfect Strangers (2022). This research shows that in Perfect Strangers, gender performativity through cellular phones is depicted as causing blurring in physical or face-to-face relationships. Gender performativity which refers to the appearance and repetitive actions in face-to-face relationships in contrast to mediated relationships can be used to mask true identities including sexual identity. Non-heteronormative individuals can hide their sexual identity in mediated relationships
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